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- Once Upon a Time… in Hollywood. Still showing in theaters around. So I am not late… Based on more than two months ago memories, it is full of typical Tarantino‘s humor. The main pillar is Brad Pitt who outplayed everybody by a margin. The most memorable scene is Leo being schooled by an eight-year-old girl (Julia Butters). I’m gonna go again, I guess. 8/10
- Tel Aviv on Fire (תל אביב על האש). Very original, yet simple, and funny in a serious context. 8/10
- One Child Nation. A documentary about past China’s “one child” policy. Difficult topic. A lot of pain. Numerous heartbreaking accounts. Seems honestly made. Very well received.
- Luce. In the end, I was not sure what was that about, but Kelvin Harrison Jr. was ominously convincing. The other cast was also great (Naomi Watts, Octavia Spencer). 7/10
- The Peanut Butter Falcon. A warm fantasy story. I see, Shia LaBeouf grew up from a boy to a man. Maybe it’s the beard. They with Zack Gottsagen put some wonderful performances. Dakota Johnson as well. For her, of course, it is not even close to what she achieved in last year’s Suspiria (one of my favorite films of 2018), but it seems a good trend she follows. 7/10
- Solaris (Солярис). It was again a classics screening. Before I only saw the film as a horrible quality video recording many years ago. As with Andrei Rublev, also this year, one can observe how unique Tarkovsky was. A familiar spiritual atmosphere and philosophical content is present in many of his films, but I struggle to find similar examples by other directors. Imagine if a scene like a five-minute noir Tokyo driving scene, ending abruptly, appeared in some modern film. I believe, the majority of popcorn eaters would just leave. (And it is good.) It is even unlikely any funding could be given for a surreal scene of this sort. Nonetheless, many echoes and influences on today’s cinema are evident. Both Kubrick‘s 2001: A Space Odyssey and Tarkovsky‘s Solaris are monumental films on the topic. But in the end, and as before, my main memory of the film remains to be an immensely beautiful and mysterious Hari (Natalya Bondarchuk). The role, though theatrical, is unforgettable. 10/10
- Good Boys. I understand, the film may raise some warm school memories for an American, but for me, personally, it made little sense. I guess, my impression from the film is a of a similar sort as from Booksmart earlier this year. Both were well received, but for me they are considerably inferior to school life explorations, such as Greta Gerwig‘s Lady Bird, or even Jonah Hill‘s Mid90s (though only indirectly related). 5/10
- Brittany Runs a Marathon. A wonderful comedy/drama with hilarious Jillian Bell. Based on a true story, which I found impressive. 8/10
- After the Wedding. I mainly went to the cinema due to my favorite Julianne Moore. But it turned out quite boring. 5/10
- Aquarela. Some impressive shots and atmosphere here. Cinematography is unbelievable.
- Ms. Purple. This is a very beautiful, yet full of pain, poetic film, with a wonderful soundtrack, influenced by Clint Mansell‘s work. In some respect, it reminded me of Chloé Zhao‘s films. It is truly honest and simple, at times incredibly low key, but that corresponds to the story. Wonderful Tiffany Chu is unforgettable, and the director is Justin Chon. Remember a guy from Twilight? I need to watch Gook. 8/10
- Official Secrets. An incredibly interesting film based on the real-life story of Katharine Gun. Keira Knightley‘s portrayal of the former is convincing. Ralph Fiennes‘s presence is acknowledged. Certain parts of the film raised intense euphoria due to the triumph of justice at an unbelievable scale. The surreal court trial is prominent. Yet, cases of this sort are only possible in a short list of countries with really strong democratic mechanisms. The story of Katharine Gun could have been really sad, had it occurred somewhere else (but still in the major part) of the modern world. Which says how undeveloped we still are. 8/10
A third LP from Paul Woolford in 2019. This one is my favorite.
It happens to me sometimes that for years I completely ignore certain finest works of music, as if being blind and deaf, and then suddenly, after one more listen, an eureka moment occurs.
After having listened to “October Language” a double digit number of times over the past week, the phenomenon described is almost surreal. How could I not recognize the brilliance of this album earlier? Brian Eno, Tim Hecker, and Belong. Appropriate. Notably, Josh Eustis did contribute to the sound.
This reminds me of Brian Eno‘s “Ambient 4: On Land”.
It is uncertain whether Turk Dietrich and Michael Jones will release more music in the future as Belong, but they did perform “October Language” live in 2017, which leaves some hope.
Might be the only photograph I have ever taken in a concert. (And I have been to “a few”.)